OCATILLO AUDIOVISUAL

Montse Gallego: The Floating Forest

24/9/2019

The Floating Forest, a series of paintings by Montse Gallego, currently on show at The Hundred Years Gallery, 13 Pearson Street, London E2 8JD.
As you descend into the gallery’s main space, you find yourself surrounded by a magnificently wide variety of large atmospheric paintings, some of them suspended, evoking the wonderfully random complexities and rhythms of light, lines, colours and textures in forests, which the artist Montse Gallego has so effectively brought to life in this memorable solo show.
Highly recommended - more details here:
http://hundredyearsgallery.co.uk
From 20th September - 13th October 2019.

A visit to Philippus Cardoon's studio

6/8/2019

And see more works by Phil Baird displayed on his
wonderful website, click on http://philbaird.co.uk

1. Above: Collection of works on back of studio.

To view other views, please scroll down - this studio is full of marvels:
2. White, Black, Silver and Diamond Engagement piece
3. Random selection of some vintage power points
4. Spring drawing, early 2019
5. Homage to Carl Andre
6. Homage to Joseph Cornell
7. Batch of working progresses
8. Collection with Wisard, revealed by the artist.

CATEGORIES and the audiovisual series

26/4/2019

A bookseller who works for a big bookselling chain told me the other day that today’s bookseller has no role other than finding a book for the customer and taking payment for it, a bit like a fruit and vegetable seller.
So what’s the problem with this simple solution?
Categories.
For example Eisenstein on the Audiovisual is placed in the Eisenstein section of the bookstore.
So what’s wrong with that?
There’s also another section in the bookshop under the heading FILM SOUND.
Eisenstein wrote more about the audiovisual than any other film director, and in
Eisenstein on the Audiovisual I explore his ideas on using film sound and film music, in a word, on the audiovisual.
But you’ll never find this book in a film sound, or even in a film music section.
Why?
Because the AUDIOVISUAL hasn’t yet been devised as a category that is worthy of study.
And it is also because someone in an office somewhere checks on their computer and decides that Eisenstein on the Audiovisual goes into the FILM DIRECTORS section in the chain of bookshops.
As the author of this book, what can I do?
I can quietly take my book from the FILM DIRECTORS section and place it in the FILM SOUND/FILM MUSIC section.
But on my next visit to the chain bookstore, it’s not there any more: it’s back in the FILM DIRECTORS section.
Effectively this means that Eisenstein on the Audiovisual will only be bought by someone who knows in advance that it’s a book about the audiovisual - it’s not primarily a book about Eisenstein, but it’s about his ideas and practice with regard to innovative combinations of music, image and sound!
Eisenstein wrote about the audiovisual for those who make films, not for those who just want to read about his life (he wrote his autobiography Immoral Memories for that purpose, but it’s highly unlikely that you’ll find that book in the FILM DIRECTORS section anyway).
But I think he would probably also be disappointed (but perhaps not surprised) that his explorations of the audiovisual, which he wrote for practitioners, doesn’t even make an appearance in what should be called the AUDIOVISUAL section of the bookstore.
So how about having a copy of Eisenstein on the Audiovisual in both the FILM DIRECTORS section, and another copy in the FILM SOUND/FILM MUSIC section?
No, that’s conceptually invisible.
This is the reason I set up www.ocatilloaudiovisual.com/the-audiovisual-series.html (the audiovisual series).

Cityzens, Bloomsbury etc

14/3/2019

Spring is springing fast here.
The recent screening at The Hundred Years Gallery went very well: good sound and image, thanks to filmmaker Alex McDonald.
Cityzens from Diversions completed the programme, and was followed by an enthusiastic discussion with the audience.
Really pleased.
Also, I.B. Tauris has joined the Bloomsbury Publishing Group, so here's to imagining a forthcoming paperback edition of Cinema and the Audiovisual Imagination !

Citizens and River at the Hundred Years Gallery

26/1/2019

Looking forward to first screening of Cityzens at the Hundred Years Gallery, with River, and films by Alex McDonald, and Kofi Boamah: Sunday 3 February, 15.30.
in the countries of the mind, and the audiovisual series are selling well at the Hundred Years Gallery.

Interview in Images of the Afterlife in Cinema

16/1/2019

At the end of Images of the Afterlife in Cinema by James Wilson, there's an interview: Eisenstein, Symbolism and Swedenborg. With thanks to an excellent interviewer, James Wilson, from the Swedenborg Society, London.

River release

8/11/2018

In London, the Thames is centrally there, a wide tidal river regularly flowing powerfully in two opposing directions simultaneously, when the tide comes in and the river flows out to the sea. In River you don’t see the river all the time – but it isn’t forgotten, as it’s there throughout, in the music. River is an audiovisual interweaving of memories, of finding wonder in the illusory everyday.

Announcing the audiovisual series from Ocatillo

15/9/2018

The trilogy of new titles in the audiovisual series is for anyone who is making films, as well as for those who work with music, photography, writing, theatre, dance, the visual arts, and architecture.
1. Audiovisual Rhythm
2. Eisenstein’s Audiovisual Attractions
3. Audiovisual Perspectives - Eisenstein and Frank Lloyd Wright

https://www.amazon.com/Robert-Robertson/e/B0034P9ETQ
https://www.amazon.co.uk/Robert-Robertson/e/B0034P9ETQ

in the countries of the mind

30/7/2018

Delighted that in the countries of the mind is now available at the London Review of Books bookshop. Where should it go? It was decided to place it in the Essays section. It may well be the only book in that section which has been ordered using the most random method possible: meteorological data!
ScatteringTexts

Memories, the recently completed documentary by Anna Bowman

23/7/2018

Please find below a link to Anna Bowman's excellent documentary about all the artists featured in the recent exciting Memories show at St Pancras Hospital in London. The documentary features interviews with the artists mentioned in my previous post.
Anna's documentary begins and ends with extracts from my music/film River, which was shown for the first time at the launch of my new book in the countries of the mind, which is also mentioned in this documentary.
Many thanks to Anna Bowman, the artist Jill Rock (who kindly invited me to participate in Memories, and Peter Herbert and Elaine Harper-Gay from The Arts Project, not forgetting the artists who also took part in the launch of in the countries of the mind: Jill Rock, Phil Baird, Maria Lusitano, Nicky Scott-Francis, and last but not least my wife, Claudette Robertson.
https://vimeo.com/279270612

<<Previous

Montse Gallego: The Floating Forest

A visit to Philippus Cardoon's studio

And see more works by Phil Baird displayed on his
wonderful website, click on http://philbaird.co.uk

CATEGORIES and the audiovisual series

Cityzens, Bloomsbury etc

Citizens and River at the Hundred Years Gallery

Interview in Images of the Afterlife in Cinema

River release

Announcing the audiovisual series from Ocatillo

in the countries of the mind

Memories, the recently completed documentary by Anna Bowman

Archives

links
Empedocles music/film
From Invisible City:
East Side Morning
Psychic Neon
and also some websites:
Dennis Dracup
framing sounds

And see more works by Phil Baird displayed on hiswonderful website, click on http://philbaird.co.uk

Archives

linksEmpedocles music/film From Invisible City:East Side MorningPsychic Neonand also some websites:Dennis Dracupframing sounds

And see more works by Phil Baird displayed on his
wonderful website, click on http://philbaird.co.uk

links
Empedocles music/film
From Invisible City:
East Side Morning
Psychic Neon
and also some websites:
Dennis Dracup
framing sounds